( Prime - page 1 of 32 ) 

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PRIME  v. 1.01

CONTENTS

     

Contents  . . . . . . . . . . . . . . . . . . 1      

Introduction   . . . . . . . . . . . . . . . 2      

Personal Experience . . . . . . . . . . 3      

Physiology  . . . . . . . .. . . . . . . . . 7      

Phychology  . . . . . . . . . . . .. . . . 11     

Philosophy, Culture & Religion  14     

Towards a Colour Theory . . . 18

The Contribution of Artists . . 23

Conclusion  . . . . . . . . . . . . . . 28

Appendix I . . . . . . . . . . . . . . 30

Appendix II  . . . . . . . . . . . . . 31

Bibliography . . . . . . . . . . . . . 32

logo design created with !Draw on a StrongARM Risc PC.
Going back to school - taking A-level Art again - 30 years on.
" A personal analysis of the primary aspects of colour ",  adapted for the Web
from a short dissertation by Stephen J Nicholson, published May 2000 ©

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